The urbomaquia group, with its art of irruption into public space, bears witness to the conflictive period between 2001 and 2005. This digital book presents photographs and archives of the group's artistic interventions, providing relevant graphic and textual material. The book features essays by researchers Flavia Dezzutto, Carina Cagnolo, Mirta Antonelli, Ana Longoni, and Magdalena Pérez Balbi, who offer their analyses and different perspectives on the group's trajectory from 2001 to 2024, framing its impact on public art and politics in Córdoba and Argentina. These essays provide insight into the social and political situation surrounding each intervention, as well as how the group aesthetically and conceptually realized its urban art proposals, and constitute an important contribution to the panorama of contemporary Argentine art.