Ana Longoni holds a PhD in Arts (UBA), is a writer, researcher at CONICET (National Council of Experts on the Arts), and a professor at the University of Buenos Aires and other universities. The author of numerous publications, she focuses on the intersections between art and politics in Argentina and Latin America from the mid-20th century to the present day. Her books include Del Di Tella a Tucumán Arde (with Mariano Mestman, 2000), Traiciones (2007), El Siluetazo (with Gustavo Bruzzone, 2008), and Vanguardia y Revolución (2014). Her most recent books are Tercer oído (Third Ear) (2021) and Parir/Partir (2022). She has also written two plays, La Chira and Árboles (The Chira), which premiered in Buenos Aires in 2003 and 2006, respectively. Since its founding in 2007, she has promoted the Red Conceptualismos del Sur (Conceptualisms of the South Network). Curator, in certain instances in collaboration, of the exhibitions Roberto Jacoby. Desire is Born from Collapse (2011), Losing the Human Form (2012), With the Provocation of Juan Carlos Uviedo (2016), Oscar Masotta, Theory as Action (2017) and Graphic Turn. Like Ivy on the Wall (2022). She was a member of the Steering Committee and was Vice-Rector of Research and Postgraduate Studies of the Steering Committee of the University of the Arts, Guayaquil, Ecuador, 2015. Between 2018 and 2021, she was di